AUTHOR’S BIO

Author Bio
• Birth—September 25, 1964
• Where—Barcelona, Spain
• Awards—Edebe Children’s Literary Award, Best Novel, 1993
• Currently—lives in Barcelona and Los Angeles, California, USA

Carlos Ruiz Zafon is a Spanish novelist. His first novel, El Príncipe de la Niebla (The Prince of Mist, 1993), earned the Edebe literary prize for young adult fiction. He is also the author of three more young adult novels, El Palacio de la Medianoche (1994), Las Luces de Septiembre (1995) and Marina (1999). The English version of El Príncipe de la Niebla was published in 2010.
In 2001 he published the novel La Sombra del Viento (The Shadow of the Wind), his first “adult” novel, which has sold millions of copies worldwide. Since its publication, La Sombra del Viento has garnered critical acclaim around the world and has won many international awards. His next novel, El Juego del Angel, was published in April 2008. The English edition, The Angel’s Game, is translated by Lucia Graves, daughter of the poet Robert Graves. It is a prequel to The Shadow of the Wind, also set in Barcelona, but during the 1920s and 1930s. It follows (and is narrated by) David Martin, a young writer who is approached by a mysterious figure to write a book. Ruiz Zafon intends it to be included in a four book series along with The Shadow of the Wind. The Third book in the cycle, El Prisionero del Cielo, appeared in 2011, and was published in English in 2012 as The Prisoner of Heaven.
Ruiz Zafon’s works have been published in 45 countries and have been translated into more than 50 different languages. According to these figures, Ruiz Zafon is the most successful contemporary Spanish writer (along with Javier Sierra and Juan Gomez-Jurado). Influences on Ruiz Zafon’s work have included 19th century classics, crime fiction, noir authors and contemporary writers.
Apart from books, another large influence comes in the form of films and screenwriting. He says in interviews that he finds it easier to visualize scenes in his books in a cinematic way, which lends itself to the lush worlds and curious characters he creates

BIBLIOGRAPHY

2001 The Shadow of the Wind
2008 The Angel’s Game
2010 The Prince of Mist
2011 The Prisoner of Heaven
2011 The Midnight Palace
2012 The Rose of Fire
2013 Marina
2015 Two-Minute Apocalypse
2017 The Labyrinth of Spirits

KIRKUS REVIEW

Ruiz Zafón brings his sprawling Cemetery of Forgotten Books tetralogy to a close that throws in everything but the kitchen sink, but that somehow works.

It’s a very nice touch—spoiler alert—that the female lead of Ruiz Zafón’s latest should use a pen to do in a bad guy in a spectacularly gruesome way: “He collapsed instantly,” he writes gleefully, “like a puppet whose strings had been severed, his trembling body stretched out over the books.” Books are everywhere, of course, inasmuch as this story begins and ends in the hands of the bookseller Daniel Sempere Gispert, who, as ever, is caught up in stories that are in part of his own devising and in part the product of other storytellers—altogether very Cervantesque, that. The story begins in the crucible of the Spanish Civil War, when a very young Alicia Gris, that female lead, comes into the orbit of Fermín Romero de Torres, himself a bookish fellow who connects to Alicia immediately through her love of Alice’s Adventures in Wonderland: “Anything to do with falling down a hole and bumping into madmen and mathematical problems is something I consider highly autobiographic,” he tells her. Fermín harbors secrets: As readers of earlier volumes will know, he has been imprisoned as a spy in Franco’s jails, and a certain jailer who has risen in the ranks of the postwar Nationalist government is due for some payback—retribution that involves, yes, books and writers and literary clues and all manner of puzzles. Ruiz Zafón clearly has had a great deal of fun in pulling this vast story together, and if one wishes for a little of the tightness of kindred spirit Arturo Perez-Reverte, his ability to keep track of a thousand threads while, in the end, celebrating the power of storytelling is admirable. Take that pen, for instance, which “is like a cat—it only follows the person who will feed it.” Even, it seems, if that food is vitreous fluid….

A satisfying conclusion to a grand epic that, of course, will only leave its fans wanting more.

THE AUDIOBOOK

The audio book is narrated by Daniel Weyman and is 27 hrs and 55 mins.

Watch Carlos Ruiz Zafón’s interview on writing the series Cemetery of Forgotten Books YouTube.



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